Magazine Planning Post #6b: Table of Contents

In this blog, I will be outlining my plan on how I will layout my table of contents in my magazinbe. For this outline, I will be drawing inspiration from Vogue's table of contents and applying the conventions that the publisher uses onto my table of contents. Down below, I will be listing the different conventions of Vogue's table of contents that I will learn from and draw inspiration from, which I will use to outline my table of contents page.

• There is avid use of photography within the table of contents, preventing it from becoming a wall of text and becoming a daunting read. I will use this to my advantage, so that the reader can navigate through the contents in a concise matter, while still engaging the viewer onto the actual message of my magazine
• There is little to no symmetry within the table of contents. Usually, one side is more "art heavy" than trhe other. This brings contrasts and uniquenesse within the actual typography of the table of contents. I will use this to my advantage to lay out my table of contents in a unique and artistic way, which mirrors that bold and flamboyant photographs of the models
• The text hierarchy is unique and asymmetric, with differing font sizes to capture the reader's attention. I will use this to my advantage to create a style of typography that is not of mundananess and staleness of a dictionary, but of flamboyancy and uniqueness of the fashion in the magazine. This, as mentioned, will capture the reeaders attention and prevernt them from being unengaged to the contents of my magazine.
• The photography is the main show-stopper of the table of contents. While the table of contents is meant to be a spread of the actual contents of the magazine, Vogue defies this convention by having the photography the main subjhect of the table of contents. I will draw inspiration from this stylistic choice; this will greatly bolster the engagement of the audience, having them, oddly enough, be interested in viewing the table of contents, which is mnost usually a spread and wall of words that is unengaging. \
• Thee typography is never uniform and consistent, which keep the table of contents from becoming, like aforementioned, a wall of text. This is a sort of "eye-candy" for the reader, having all sorts of different font styles, sizes, and colors to keep the table of contents colorful and vivid. I will draw inspiration from this, having some of the typography within the table of contents to be different shapes, fonts, and sizes to match the forward articulation of the model(s) within my magazine.

Reflection

Planning how my table of contents will look like is extremely important, as if one of the first few pages of my magazine is mundane and stale, it can draw the readers engagement away! So it is important to keep the typography, style, and photography within my table of contents to be colorful and vivid. 

Magazine Planning Post #6a: Cover

 In this blog, I will give an in-depth outline of what I will do for my cover for my magazine brief. I will go over the process of making the cover, such as color theory and typography within the magazine. 

Color Theory

I am planning on having accent colors that keep the design of the cover seamless and unique. I want to follow a similar design format as Vogue, use the similar applications of color theory to portray the model and the clothing. For the title, I will have it the same color as the clothing on the model. This use of accent colors will provide contrast against the background of the photo, while exemplifying the clothing. I am thinking on using a greenish color palette for the accent, as I have multiple pieces of articles that have this palette. I will base the accent color off this hue. Moreover, the overall color scheme will be monochromatic or dichromatic as I think it will exemplify the creases and folds of the clothing, bringing more detail into the finer aspects of the articles of clothing. 

Typography

For the masthead, I think I will have a similar elegant font as Vogue. Picking an elegant font will help encapsulate the flamboyance that a fashion magazine exudes. Moreover, I will have the masthead as the largest in the text hierarchy, and it will be big and bold, but not tacky and out-of-place. I also planning on having the masthead behing the actual model, to give it that 3-D effect that most of Vogue's covers have. It will exemplify the models pose and elegance, which is what I want my magazine to exude from the reader's perspective. Now regarding the actual coverlines, I want them to be lower in the text hierarchy, bering smaller than the actual masthead, but big and bold enough to capture the reader's attention. I think I will have it on the sides of the cover asymetrically, as a bit of asymetry prevents redundancy within the design of the cover and the design of the whole magazine as a whole. This is done in the Vogue covers as well, for the reasons just aforementioned. Now for what font I will use, I am planning on using a much more elegant text font that adheres to the elegant and minimalistic conventions of my magazine. Of these fonts, I have a few I may choose from. CS Praise, CS Calping, and CS Albert Classic Didone Font. I will choose these fonts because of their professional, minimalsitic, and refined style that, like I mentioned, adheres closely to the elegance that i want to illustrate within my magazine.

Reflection

I think I will be able to portray a elegant, high-ended, magazine with these style choices and conventions that I will choose and follow. It is important I understand how Vogue create their array of covers, so I can draw inspiration from the publisher and bring my magazine cover to fruition. Through following the different applications of color theory and choosing how to illustrate my typography, I can continue on with the layout of my magazine and I can apply my practiecs to other parts of the layout within my magazine.

Magazine Planning Blog POST #5b : Basic Rundown of Cover, Table of Contents, Feature Article Plan

 The name of my magazine: Houette

Cover

For the cover, I will be using color theory to have the colors pop out and entice the viewer. This is demonstrated in many of Vogue's covers. The prominent use of monochromatic color schemes help the clothings that the models where pop out, with each wrinkle and fold being exacerbated within the color scheme. Moreover the use of accents help drive the masthead's appeal and draws the viewers attention to the colors. Additionally, the way the models pose is very articulate and bold, aiming for poses that intimidate the reader, while also bringing light to the unique clothing that the models wear. The way the masthead is behind the models also creates a sense of depth and scale into the cover, which adds additional uniqueness and spark to the cover.

Table of Contents

I will have my table of contents in my magazine to be inspired off the look of Vogue's. The table of contents is concise and minimalistic, opting for a more streamlined look without more attention to the models than the actual text. The way the text is drawn out and presented in the table of contents is unique. For example, the major title of the table of contents "Vogue" overlaps over the image, creating a unique collage that is pleasing to the eye, instead of a bland, formulaic body of text that does not engage the reader. Moreover, the coverlines also overlap the image, which stop the image from taking up most of the space, and instead acts as a background for the text to fall on, which adds to the "collage" feeling that the table of contents presents. The actual contents of the page are organized in columns that are easy to navigate; the magazine avoids a body of text and instead opts for a more streamlined look with separated bodies in a column. 

Feature Article

I will be basing my feature article off various aspects of the feature article of Vogue. The major title, instead of having it in a typical horizontal layout, it is instead presented in amnner that is akin to "steps" in stairs. This unique articulation brings a artistic outlook onto the feature article,. and entices the reader to view the article. Moreover, most of the page is taken up by the image that corresponds to the feature article. This appeals to the reader's eyes, instead of soring them out with a body of text. Regarding the body of text, it is concise and smaller, which prevents the feature article from becoming a wall of text and unengaging to the reader. 

Reflection

The purpose of this blog was to lay down a basic outline of each of the proponents within my brief. Since I already researched and analyzed these proponents, it is important that I am able to apply the knowledge and summarize it in a concise and informational manner in this blog. Through this, I can demonstrate my understanding of each of these aspects of a magazine, while still maintaining the knowledge that I researched, learned, and analyzed in the prior blog posts. Additionally, it helps me further understand how to lay out the different aspects of the magazine, without the risk of the reader being unable to follow and navigate through it.

Magazine Planning Blog Post #5a: Style Guide

 Target Audience

To start off my style guide, I want to have a clear understanding of my target audience. The target audience of my magazine will be mostly women who have a taste for unique fashion styles, unoorthodox clothing, and bold fashion statements about social issues. Moreover, the target audience will be those who have adept experience and knowledge about women's fashion, and how it has morphed throughout the ages. Not only that, but the fashion choices will not only be adhered to women, but men as well. I believe that fahion is compeltely androgynous, therefore any fashion choices, which may seem a bit more feminine, can still be expressed by the opposite gender

Defining Brand Voice

I will build my magazine off the brand style of Vogue. They use minimalist practices in their overall voice and tone, which align with the values of their minimalistic but higher echelon fasion. I think this will greatly communicate my magazine's overall personality, and the brand message. Another aspect I want to keep in mind is my brand tone. The tone is the way my brand message is conveyed, and I want to convey it through different fashion choices, presentations and styles, by which will portray healthy fashion lifestyle choices, as well oppose any unhealthy fashion choices,

Format

The format that I will closely follow and be inspired from is the Vogue formatting. The titles are bold and unique, not conforming to conventional magazine formatting. which is much more formulaic and bland. The different coverlines meld together with the images, presenting a melting-pot of beautiful textography and photography. This allows both to be a single entity that conveys the outgoing and minimalistic personality of the Vogue magazine. Moreover, the font is recognizable, and contributes the trhe brand's identity as a whole. The use of accent colors, as shown with the bold red "Vogue" and red in the image, portrays a seamless look that is streamlined and pleasant to the eye to view. The jargon used is also minimalistic; the coverlines aim for much more concise descriptions of each feature article, without omitting any type of important information that is needed. 

Photo guidelines

I will also be inspiring my work off Vogue for their photo guidelines. Their photos usually play hand-in-hand with the textography. The text wraps around the photos, drawing more attention to the photo, as well as making the formatting much more concise and uniform. Moreover, some of the tet overlays on top of the photo, which add depth onto the textography and photography of the magazine. The photos usually take up the most space in the magazine, but do not take away from the information attached to the magazine. Photos are also taken in a way that melds into the design of the magazine; for example, the background of the picture in the clinique advertisement matches the background of the magazine, which immerses the image into the magazine without the visible borders of the photo. 

Reflection 

I think researching on how to layout a basic outline of the style guide is important for creating a magazine. It creates a backbone that the creative process can fall on, and ensures that the creative process is coherent and seamless. Moreover, learning the appropriate style guide for a women's fashion magazine is important for conveying the correct message and purpose that falls upon the audience. It ensures that the message can be correctly interpreted and have a meaningful impact for the audience, which is the main aspect for my magazine brief. 

Magazine Planning Post #4b: Project Proposal

 Introduction

Hi! My name is William, and I am working on a magazine for my brief! I am excited to work on it and I honestly am looking forward to producing the magazine. I think it will be a fun process, since I have a knack for picture and writing esque creative projects!

Magazine Genre Chosen And Why

For the genre of the magazine, I chose women's fashion. The reason I chose this was because I love fashion as whole, as it is a medium for self-expression and creativity. Moreover, fashion is a canvas for different silhouettes, textiles, fabrics, colors, and more! I specifically chose women's fashion, because I believe fashion to be androgenous, meaning it conforms to no actual gender. Therefore, although most would believe fashion to be more of a feminine lifestyle, I believe otherwise. I believe that men and women can wear any clothes they want, whether it was meant for either gender. Therefore, it is entirely possible for a man to wear a dress and a woman to wear a suit! And this is what I think encompasses fashion as a whole, and why I chose to make the magazine on this type of genre.

Potential Target Audience

A potential target audience is obviously women who are into fashion, since the specific sub-genre I chose was women's fashion. However, I want it to not only be oriented towards women, but people who are into fashion as a whole! I think this will keep the magazine broad in regards to the audience, while still adhering to the common conventions of a women's magazine. Like I said previously, fashion is androgenous and fluid; there is no right or wrong clothing orientation for a specific gender, and the same goes for the audience. The audience doesn't have to just be women who are into fashion, but even men who are into fashion can enjoy something that is a bit more in the typical feminine side, and I want to incorporate that in the expression of said fashion in my magazine. 

Potential Social Issues To Be Addressed

Mass-produced fashion can be problematic, as it damages the environment and the practices to produce said apparel may not be ethical. Most may know this type of fashion as "fast-fashion." Fast fashion is built on constantly flooding different stores or websites with new apparel in order to convince the consumer to buy more and more, creating an unhealthy cycle. Moreover, fast fashion uses a tremendous amount of water, and it tends to degrade the land that it is produced on. Additionally, the over-production of synthetic materials due to fast fashion causes microplastic shedding.

Software That Is Planned To Be Used

The software that I am planning to use is Adobe Indesign. In order to use it effectively, I have to know how to import and export files, edit files and photos, know how to layer, know how to crop properly, and more! One might think the process of learning it may be daunting, but I believe I can push through and create effective layouts and illustrations for my women's fashion magazine.

Basic Plan

I think as of right now, I want to begin creating the cover of my magazine. It's the most fun part of creating a magazine, with lots of creative liberty in store. Moreover, some studies that I can do to when it comes to fashion to enhance my magazine is color theory, the use of silhouettes and the different styles in women fashion. Some habits that I can pick up are knowing how to keep the magazine concise and easily digestible, while simultaneously keeping it minimal and elegant. I think this will greatly improve the readability and enjoyability of the magazine. On top of this, I think I want to make sure the typography is creative as well; not only does the illustrations have to be creative, but the typography as well! Again, this will help with the enjoyability of the magazine as well as the readability.

https://environment.upenn.edu/news-events/news/fast-fashion#:~:text=The%20business%20model%20that%20fast,it%2C%20because%20it's%20so%20easy.

Magazine Planning Blog Post #4a: Target Audience

 In this blog, I will be analyzing the target audience of the women's fashion magazines. This is pertinent in understanding what choices to make in the magazine, and why. Knowing the target audience of the magazine is as important as every other aspect in the magazine; furthermore, it dictates what language and imagery to use in the magazine as well. To start this off, I will be detailing fashion as a whole and its culture as it is a major aspect in the target audience of a women's fashion magazine. 

The fashion is essentially the product of the modern age. It is simply the enterprise that is devoted into the production and selling of clothes. There are some important distinguished aspects to make however. There is high fashion and mass fashion. High fashion is typically what you see in fashion magazines like Vogue and presented in the runways of Paris or New York. Mass fashion mostly refers to the mass-produced sportswear and street styles sold in malls and markets around the world. Despite this, it is important to realize that the fashion industry encompasses the design, manufacturing, distribution, marketing, retailing, advertising, and promotion of all types of apparel. This can range from the most expensive coutures, to ordinary everyday clothing. Therefore, it is important to keep this into account when making a women's fashion magazine. The fashion presented does not have to be high fashion, nor does it have to remain mass fashion. Through this, I can keep a range that is just right, and appeal to a broader audience that is into fashion, instead of limiting myself to either one. This is essential in a fashion magazine, as fashion is a diverse art that has subjective audiences. 

Moving on from general fashion, we are going to specifically dive into women's fashion. It is important to understand the aspects of women's fashion, in order to appeal to those who are into women's fashion within my magazine. To start of, women's fashion was rooted in symbolism and tradition in ancient civilizations such as Egypt, Greece, and Rome. Elegant jewelry and flowing robes were adorned onto noblewomen, which illustrated their rank and distinction. On the other hand, simpler garnets were among the working class. The rise of silhouettes and structures occurred around the medieval period. Women's fashion shifted towards most structured garments and intricate silhouettes. In this period, corsets, hoop skirts, and sleeves created artistic shapes that emphasized status and femininity. Furthering on, the Renaissance era saw the the artistic creativity and refinement of fashion. Women's attire essentially became the canvas for patterns and intrinsic textiles, which expressed their wealth, sophistication, and social status. During the Victorian Era however, Women's fashion became extremely complex and contrasting, balancing embellishments and modesty. The period had an iconic silhouette, utilizing skirts, high necklines, and tight waists, which signaled the Victorian ideas of respectability, virtue, and femininity. Now in the twenty-first century, women's fashion has become dynamic in its inclusiveness, diversity, and self-expression.

Reflection

 All these time periods have influenced the presentation of women's fashion, becoming a melting pot of different styles, viewpoints, artistic design, and voices. Understanding the evolution of women's fashion is absolutely important, as it helps me gain a better understanding of what women's fashion is, and what colors, silhouettes, fabrics, and styles to choose to effectively express the creativity and art of women's fashion. Furthermore, researching this topic will help me appeal to the audience of a women's fashion magazine, and enhance my portrayal of women's fashion as a whole within the magazine.

https://www.britannica.com/art/fashion-industry

https://www.goldenpoppyde.com/blogs/featured-articles/the-evolution-of-womens-fashion-throughout-history/?srsltid=AfmBOoqESlabWM4gDnu2SLWgfic9zFzHuZ8WaX9JfNynUgSLhih8Yqvx

Magazine Research Blog Post #3c: Photography

By the pages of Vogue in the 1930s had shown women at this stage gaining the freedom in dress, hemlines were up and down, and they were politically aware. This was reflected by the fashion choices they made, not only in silhouettes, but in photography as well. Through this, we can see that Vogue had these ideals both socially and photographically for the next decades that were deeply roots in those years in 1930.

For example, actual British Royalty had been photographed and appearing in its pages, yet Vogue remained subtle and politically discreet when it came to photographing these subjects. Although they would often take photographs of high society people, (Vogue originally being a high-society magazine before becoming a women's fashion magazine) they would present them in style and presented in all sorts of unique ways, which capture the reader's attention effectively. One of the best examples of this is the photographs of Wallis Simpson in Vogue in the early years of 1930. Moreover, the photograph discusses the social scene during the 1930s. 

Another example of great photography is this photo of Christy Turlington in New York City, 1990, by the legendary photographer Albert Watson. Watson is behind many of pop culture's most recognizable images by far. He states that the picture has the power of "memorability, something that grabs you quickly." A fashion magazine usually communicated lifestyle, so the picture is dependent on the situation or style that is should adhere to. In this way, it can visually appeal to the reader, while simultaneously adhering the typical feminine lifestyle, sleek silhouettes of fashion, and the minimalism and elegance of Vogue. Through these choices, the reader can be immersed into the lifestyle of fashion, despite only reading from the magazine. 

Reflection

Learning how to incorporate the right elements in photography is extremely vital and is the life line of immersion when it comes to fashion lifestyle! For example, Vogue photographs its models in a more typical feminine articulation, which adheres the innate femininity of the Vogue magazine. Moreover, the poses that are photographed are dynamic, which adds even more style in the magazine. Use of color theory and layout, all contribute to the aesthetic of the photograph, and so editing should keep into account these factors in order to display the photograph in an elegant and minimalistic way. 

https://www.vogue.co.uk/arts-and-lifestyle/article/albert-watson-interview

National College of Art and Design

https://thesis.ncad.ie › T1459_An analysis of the f...

Magazine Research Post #3b: Feature Article Conventions

 For this blog post, I will be examining and analyzing the conventions of a feature magazine. For this example, I will be using the Women's Fashion magazine, Vogue. In particular, I will be using the special feature "A Fine Romance", published in February 2012, by Catherine Piercy

It is most obvious that the target audience is targeted towards more typical feminine audiences. More specifically, feminine lifestyles that are adhere to high fashion, elegance, and minimalistic styles. Moreover, the feature article details spring fashion and how femininity lifestyles flutter in this time. It also appeals to those that are obsessed with the art of make up, and how it shifts between different seasons, requiring immense skill, patience, and understanding of the art to effectively interpret oneself with the medium. 

Let's start of with the text hierarchy for this analysis. At the top of the hierarchy, is the title of the feature article, "A Fine Romance". It is in bold and is relatively bigger than the rest of the text in the article. Moreover, the font is minimalistic, geometrically symmetrical, and elegant. This captures the reader's attention, without seeming tacky, out of style, and ugly. It maintains a concise and minimalistic design, which is a common trend among this magazine. Next the the hierarchy is the subtitle, reading "Straddling the innocent/sexy divide, spring's lush-lashed new look is powerfully pretty. Photographed by Craig McDean." Following the common trend of minimalism and elegance, the subtitle is concise and informational. It provides a basic description of what is in store in the feature article. This helps the reader understand what they will be getting into, in an aesthetically pleasing manner. An interesting way they start of the main body of the text int he feature article is by starting the first letter of the body text in the biggest font. First off, this helps the reader know exactly where to start when reading, in a stylish and elegant way. Second, it adheres to the design of the text, while preventing a boring wall of text by adding a stylistic "pop" in the typography. 

Reflection

Knowing how to lay out a feature article is so important when it comes to creating a magazine! Although it can be a bore to write or read, Vogue, which is a popular women's high fashion magazine, adds an amazing style and pop to its typography. Adding a bit of geometric asymmetry to the usual symmetry help create a contrast that helps the main body of the article fun to look at. I think these types of unique stylistic choices are the way to go when it comes to creating a magazine, since it is not only fun to create, but fun to read and navigate. It is almost as if the typography is mimicking the dynamic articulation and poses of the models themsleves!

Magazine Research Post #3a: Table of Contents Conventions

 In this blog post, I will be examining and analyzing the conventions of the table of contents in the Vogue magazine, which is a Women's Fashion magazine. For this example, I will be using Vogue September 2002, Kate Hudson Cover.

The main target audience of the vogue magazine is largely women who have an innate taste for high fashion, and especially for those who have a taste in high-end clothing that is elegant but minimalistic. Moreover, the magazine is highly prestigious in its mannerisms and content, which further appeals to people who have a taste in style and elegance within the fashion culture. 

This is reflected by the overall layout of the contents page. It is minimalistic and elegant, but concise and informational in their typography and content.  In the top of the text hierarchy, is "September Vogue". This establishes the year when the magazine was published in a stylish, but minimalistic, by which is the style that the magazine strictly and effectively follows. Next in the text hierarchy is "Fall Fashion's All-Out Glamour." This establishes the feature article, which on top of being shown on the over, also is shown in the contents page, to showcase to the reader what is in store for the article, and what special event sales or features will occur in the magazine. This entices the reader to turn the pages, will simultaneously effectively establishing, in a concise manner, what is in store for the reader the next page. Continuing on, the page numbers list the different sections of the magazine, in a relatively bigger font than the actual subtitles it is listed under and the description. This help the reader digest the information in a concise and quick manner, while avoiding a crowded and daunting contents page. Complementing the page numbers, are the titles and short descriptions of the sections under the pages. They are concise and briefly explain what will be in store for the reader. Through this, the reader can easily navigate to a page they found the most interesting or the page the want to skip towards without going through the hassle of turning pages one by one. Furthermore, the encompassing layout of the contents page is more column oriented. This further helps with navigation for the reader, while maintaining a minimalistic but ironically detailed contents page. 

Reflection

Learning how to create a contents page table of contents is absolutely pertinent when it comes to making a magazine! Learning the conventions, such as text hierarchy, layout, and design, is so important and should not be overlooked. It should be held to the same face value as the cover, even though the content page isn't what captures the reader's attention. Through this, I can further create an effective magazine that can capture the reader's focus and attention, while still being easy to navigate and read through.

Magazine Research Blog Post #2b: Typography

The Vogue logo is an elegant symbol of sophistication, while simultaneously remaining timeless and bold. The serif typeface is synonymous with what the publisher is representing: high fashion and luxury. In this post, I will be examining the font and what typography is used and how they perfect it for the Vogue Brand

The Vogue logo uses a custom typeface that is elegant, serif, and highly legible. The exact font is obviously proprietary, but there are other fonts that shar similarities, such as Didot or Bodoni. The high contrast and clean, seamless lines provide the logo with a luxurious feel, while keeping the design minimalist, which aligns with the brand's persona.

 A font that are near one-to-one emulations of the aesthetic that Vogue exudes is CS Praise. It is an elegant serif font, sharing the same clean and minimalistic design as Vogue's. It has high contrast and balanced proportions that make it perfect for creating a dynamically sleek design. Additionally another font that shares similarities with its design is CS Calping. It is extremely versatile, while still sharing the same minimalistic dynamic. It is also geometric and perfect for creating designs that are both innovative and approachable. More fonts that share these proportions, dynamics, and designs are CS Albert Classic Didone Font, CS Kolder Serif Font, CS Charles Professional Serif Font, and CS Nolan Classic Serif Font.

Reflection

Knowing what types of fonts and typography to use in my magazine will be pertinent in recreating the sophistication, elegance, and minimalistic design that aligns with women's high fashion magazines, such as Vogue. Because I picked out many different fonts with these criteria, I will be able to experiment, picking and choosing which font I believe will fit the best! I am looking forward to outlining and creating this magazine, especially when it comes to synthesizing an elegant and beautiful design for the typography.

https://craftsupply.co/articles/vogue-logo/

Magazine Research Blog Post #2a: Color Theory

 Women's Fashion Magazine: Color Theory

In this post I am going to analyze how color theory is applied in Vogue's covers. For this analysis, I am going to be using the issue that features Linda Evangelista.

The model is covered in a saturated red, that contrasts the unsaturated background. This creates attention towards the subject, as well as the clothes that are being showcased on the model. Furthermore, the cooler hues of the background contrasts the warmer hues of the clothes, which creates a stark contrast that is both harmonious and intense. The monochromatic scheme of red, allows for a minimalistic look, while still maintaining a harmonious presentation of colors. Because the scheme is monochromatic, each crease and fold of the elegant clothing is exacerbated due to the different pronounced values that draw attention to the finer details of the cloths. The details are further exuded by the unsaturated backdrop that the model falls on.  Additionally, the white masthead, headline, and coverlines all add a accent color, that being white. This prevents the red from becoming dull, as the white and unsaturated backdrop contrasts the warmness, and intense saturation of the red clothing on the model. 

\

Reflection    

Learning how color theory is applied in the cover will greatly improve the aesthetic how the cover falls onto the reader's eyes! It is pertinent that I know how to apply values, hues, saturation, tint, shade, and different color schemes. Moreover, learning how hues interact with each other and how contrast establishes the "pop" that fashion magazines possess, will greatly help me in my journey of making a magazine for my brief.